Stevie Wonder – I Feel For You

Happy birthday Stevie Wonder! Instead of waiting to celebrate these legends after they pass, I figure I should be celebrating them NOW while they are still with us.

So I grabbed this Stevie Wonder solo off of the famous Chaka Khan track “I Feel For You”. The song was written by Prince, so my Prince tribute streak is still intact 🙂 I love both versions of this song – Chaka’s version, which is probably much more well known, as well as Prince’s original studio recording.

But this track features an absolutely burning solo by Stevie Wonder on the chromatic harmonica. This track has peak 80’s production values: heavy reverb, delay, etc. so it can be hard to pick out what’s going on under the wash of effects, but Stevie’s playing is great. The harmonica has quite a range and really gets up there. I obviously took some parts down an octave, and arguably should have attempted a few more in the lower octave, but there’s no way to get better at your high chops without spending the time working stuff like this out.

The PDF contains the harmonica parts for the whole track, but the video only contains the solo.

Stevie Wonder - I Feel For You

 

Enjoy!

@SDartSax

P.S. Is this the first non-saxophone transcription that I’ve posted? I should do more of them, they’re harder!

Brian Gallagher – Nothing Compares 2 U

I’m still on the Prince train, and I don’t see any sign of it slowing down any time soon! This time it’s the live NPG version of the incredible ballad “Nothing Compares 2 U”.

The liner notes don’t actually say, but I’m reasonably certain that the sax soloist is Brian Gallagher again. I read somewhere that it was Kathy Jenson (from the Hornheads), but I’m pretty sure that’s not true. I’m only familiar with her as an Alto/Bari player, and not tenor.

I really wish I could do this one justice. It’s a monster of a solo! The 5th bar is what really killed me, so I mercifully cut out the worst of the audio from my track and ducked the rest. But I got back on track the next bar. I can (barely) hit that high F#, but I can’t get up and down from it nearly as gracefully as Brian can. It’s amazing how fluidly he does it.

Interestingly enough, Candy Dulfer hits the exact same concert E her solo. It just fits. It’s high on Alto, but much easier to play than on Tenor (for me).

This is another solo that’s virtually impossible to read – you have to listen carefully and slow it down to really internalize the rhythms. The lines that he creates are so ornamented and intricate that there’s no other way.

Brian Gallagher - Nothing Compares 2 U

 

Enjoy!

@SDartSax

Candy Dulfer – Nothing Compares 2 U

More Prince. More Candy. Same CD box set as the previous two transcriptions.

This is such a beautiful song! Most people associate it with the 1990 Sinead O’Connor recording (and music video), but of course Prince wrote it. He originally recorded it with ‘The Family’ in 1985. It was hard to find that recording, and not worth the effort (for me), although some people swear that the original is the best recording.

Rumor has it that Prince did a studio recording of his own that was never released. Maybe it will see the light of day eventually? Until then, I’m only aware of his two live recordings – this one, and the more famous one that he recorded with NPG. I’ll try to work up that solo too, but my tenor high chops may not be up for it.

Candy really kills it on this solo. The third bar of the solo is pure genius the way she builds such connects such complex (and yet simple) ideas so fluidly – and nails it! I probably spent about an hour shedding that bar alone and still can’t play it as smoothly as she did.

And just try to play that high part at the end in one breath like she does. I like to think I get some pretty big air (I play a LOT of bari), and I couldn’t make it through both measures in one breath. But she pulls it off somehow!

The written transcription covers most of the song until the time stops. I’m only uploading the main solo to YouTube so I don’t run afoul of the copyright filters.

Slow songs are always the hardest to notate and read, so I really suggest listening closely to the recording as you’re trying to learn it. That’s always the best way anyway, but on ballads it’s almost impossible to do any other way.

Candy Dulfer - Nothing Compares 2 U

 

Enjoy!

@SDartSax

April 2016 Playlist

April 2016

March 2016

February 2016

January 2016

Candy Dulfer – Girls and Boys

More Prince. I just can’t get enough! Same CD as the previous transcription, but this time it’s Candy Dulfer.

Not to be too controversial, but when I first became aware of Candy, I didn’t take her seriously enough. I thought that she was just another Sanborn clone, and the only reason she got any recognition (let alone a record deal) was because of her supermodel looks.

Years later (and hopefully wiser), I’m much more hip to what she brings to the table. Are there guys who can play better than her? Probably, but that’s always the case with pretty anyone. Chris Potter can play rings around Maceo, but Prince is going to choose Maceo every time for his band.

If it were all about technical ability, there would be only one sax player in the world who everyone would want for their gig.

Hopefully you can hear from this track just how funky she can be. It’s also a great contrast with the previous Maceo solo. Same band, same night, two different soloists with pretty different approaches, but both are killing it in their own way!

Candy Dulfer - Girls and Boys

 

Enjoy!

@SDartSax

Maceo Parker – We Do This

Since we lost Prince, I haven’t listened to anything else. It’s been very bittersweet to re-discover corners of his vast catalog that I had forgotten about!

This week has been all about the three-CD set “One Night Alone”. It features both Maceo Parker and Candy Dulfer prominently, so expect a bunch of solos from this set over the next month.

The thing I love about this set is how it shows Prince’s versatility. You don’t hear any synth-pop dance tracks. If you dropped the needle in random places, you’d might think it was a live P-Funk show. In fact, George Clinton makes an appearance on this track – re-uniting with his old sideman Maceo.

The solo is meat and potatoes Maceo – super funky and in the pocket over a slow, heavy groove. I’d love to find a video of this concert!

Maceo Parker - We Do This

 

Enjoy!

@SDartSax

Brian Gallagher – Sexy MF

I can’t believe that we lost Prince this week. I’m still in shock over it. So I process the loss of this artist like I always do: by immersing myself in their music. I could write for pages about what his music meant to me, but I’ll save that for another time.

I wanted to find a suitable sax solo from his catalog for the blog. Prince worked with many great horn players over the years (Maceo, Candy Dulfer, the Hornheads), but he doesn’t often feature saxophone solos on his studio recordings.

I was familiar with the tenor solo on Sexy MF, but I had always assumed that it was Kenni Holman (from the Hornheads) playing it. But when I did my research, I found out that it was Brian Gallagher, who also passed away very recently at far too young of an age.

The track (and solo) are very funky, with a hard driving rhythm. When Doctorfunk was in the studio working on our album “Second Opinion“, we were having a hard time getting the track for my song “Better Get Hip” to come together. Jeff Tamalier, our producer, told the guys to think of the groove from Sexy MF. They didn’t even have to listen to it. Everyone knew exactly the type of feel and energy this track captured. I’m sure that you can hear the influence if you listen back to the track. I hope we did it justice!

Because Prince was so protective of his copyright (and because the lyrics are so explicit), I kept the volume on the original track very low, just loud enough to hear the solo in context. There is a radio-friendly edit of the track, but it doesn’t include the sax solo. I also age-restricted the video on YouTube just to be safe.

Brian Gallagher - Sexy MF

 

  • Artist: Brian Gallagher
  • Album: Prince – Prince_logo.svg_ (1992)
  • Track: Sexy MF (Explicit Lyrics)
  • Instrument: Tenor Sax

Enjoy!

@SDartSax

David Sanborn – Same Girl

Continuing through the Close-Up album, this is track #5 Same Girl. This is a short track – a beautiful ballad with no improvisation. It’s very straightforward to play, just a little tricky to follow since the time is loose.

For some reason, every time I hear this song I’m reminded of the theme song from the old 70’s Incredible Hulk show with Bill Bixby. As far as I can tell, there’s no relation between the two, but here’s a link so you can have a listen for yourself and be the judge.

This is the last of the ‘legacy’ transcriptions I did of this album in high school, so the rest of the transcriptions will be all new!

I’ll get to them as soon as I can. It’s been hard finding the time to transcribe and post regularly over the past month or so, but having this blog helps keep me motivated to practice even when I’m busy.

David Sanborn - Same Girl

 

Enjoy!

@SDartSax

David Sanborn – Goodbye

Continuing through the Close-Up album, this is track #4 Goodbye.

This fits nicely with the rest of the album – a down tempo track with another soaring melody line. The thing I like the most about this track is how Sanborn’s vibrato is perfectly in time and is so pronounced on the held notes during the ‘A’ section. It’s something that you don’t hear done very much, and it was very tough for me to match exactly.

The ‘B’ section is equally powerful – use lots of air! I wasn’t ready and I couldn’t make it through the first note. This section is a real workout!

Like the other tracks on the album, there’s a brief solo section, then a return to the melody and some more soloing on the ride out. Lots of altissimo, including a high D. I feel like it’s getting a little better, but I still need to work out some short fingerings that will make the high B-A-G-A run.

This is a continuation in my series of resurrected high school transcriptions. I found some glaring errors so I spent about 15 mintues fixing things up, but there are still big gaps (especially at the end). Hey, at least it’s free, right?!

David Sanborn - Goodbye

 

Enjoy!

@SDartSax