Maceo Parker – Children’s World

Here’s one that I’ve had on my to-do list forever. It’s a slow ballad, which always makes for the toughest transcription jobs. The fast passages get in to really minute subdivisions to fit everything in, which makes it difficult to notate, and to play. As a bonus, it’s in 6/8!

I love Maceo’s delivery on this one though, his tone is so beautiful. The melody is sparse and haunting, but the track builds and builds. When Maceo finally lets loose in a flurry of notes, it’s well-deserved. 

Rather than trying to read all of the subdivisions, I suggest just listening to it a bunch and trying to internalize the timings. I limited myself to one take on the melody and one take on the solo, but I wish I had a few more to listen and play through. 

A few notes on the transcription – during playback I realized I left out one bar where he’s holding the low C. Just keep holding! Also I forgot to add the chords, although it just alternates between the one and four, so it’s not super complex. 

Maceo-Parker-Childrens-World

 

  • Artist: Maceo Parker
  • Album: Life on Planet Groove
  • Track: Children’s World
  • Instrument: Alto Sax

Enjoy!

@SDartSax

Maceo Parker and Candy Dulfer – Addictive Love

Another duet – this time Maceo and Candy Dulfer from the great ‘Life on Planet Groove’ album. I’ve been working on this one for awhile. It was a monster to transcribe. Duets are hard enough because you can’t always tell who is playing which part. But this track also had Fred Wesley and Pee Wee Ellis, so at times there were four horns improvising at the same time! 

I chose to focus on just Maceo and Candy’s parts. The song is really a feature for Candy. She’s the only one who takes a full solo. She and Maceo trade off on the melody, which is beautiful. Maceo fills in a little behind her, and she also fills in around the chorus parts when the other horns come in. 

I’m including both parts separately as well as in ‘score’ form if you want to see how the parts line up together. They play off of each other beautifully, finishing each others’ ideas at times (which also makes it extra hard to figure out who’s playing what). 

Both parts have tough sections to play. For Maceo, it’s more about the rhythms. Candy’s solo has some altissimo (up to high B), and some particularly fast runs. 

On the video, I limited myself to one take for each part, so there are definitely parts I’d like another crack at. I stopped the video at the part where Maceo introduces Candy. She (and the others) solo more after that, and I included as much as I could in the written transcription, but it gets pretty chaotic to follow. 

Overall, it’s a great solo by Candy, with beautiful playing by everyone all around. I hope you enjoy it as much as I did!

Maceo Parker + Candy Dulfer - Addictive Love (Maceo)

 

Maceo Parker + Candy Dulfer - Addictive Love (Candy)

 

Maceo Parker + Candy Dulfer - Addictive Love (Score)

 

  • Artist: Maceo Parker and Candy Dulfer
  • Album: Life on Planet Groove
  • Track: Addictive Love
  • Instrument: Alto Sax

Enjoy!

@SDartSax

Maceo Parker – Got to Get U

I have a hard time coming up with my list of ‘favorites’ for anything – movies, music, you name it. But if I were stranded on a desert island and could only take one album with me, it would be Maceo’s ‘Life on Planet Groove’. I can listen to it anytime, anywhere, and never get tired of it!

This is a short solo from ‘Got to Get U’. It’s just eight bars over one chord. It’s simple, and relatively easy to play. The tempo is slow, and you can really hear the sixteenth note subdivision coming through in every part. It’s so strong that it’s sometimes hard to tell if Maceo is actually playing every subdivision, or if I’m just feeling it. 

The first three bars are almost entirely played with the one, flat 3 and the flat seven (he plays the fifth once). That makes it all the more powerful when he leans on the ninth on the downbeat of the fourth bar. Back to the 1, b3, and b7 for the next two bars until he leans on the 4 (or 11, whichever you prefer). The next figure re-introduces the 9th, and also throws in the 6th (13th) for good measure. 

So for a one-chord funk groove, even though Maceo sticks primarily to the minor pentatonic, he uses all of the notes in the scale for added color. Ironically, the one note that he doesn’t play that you might expect him to is the flat five. He doesn’t need it!

There are a couple more great solos on this album that I want to try and work on before the end of 2018, but they are much more involved. Wish me luck!

Maceo Parker - Got to Get U

 

  • Artist: Maceo Parker
  • Album: Life on Planet Groove
  • Track: Got to Get U
  • Instrument: Alto Sax

Enjoy!

@SDartSax

Maceo Parker – Cold Sweat

Back to M-A-C-E-O! This is a transcription that I’ve had on the shelf for a long time. Every time I pulled it out to record, I always struggled to sight read it. It’s not technically difficult, but the rhythms are crazy hard to right read. Finally I broke down and just practiced it for an hour! I broke down each phrase, and took it slowly until I could feel it. 

 The track is a classic James Brown tune. The recording is from a 1994 video, right around the time that Maceo was starting to come in to his own as a solo artist. It features the classic JB horns lineup of Fred Wesley on Trombone and Pee Wee Ellis on Tenor. The band is killing! 

The more Maceo solos I transcribe and learn, the more I realize what an amazing ‘escape artist’ he is. I often run in to short phrases that seem to fall on the wrong foot, or don’t quite turn out how you intended. We all get these. When I run in to these phrases in my own playing, they knock me out of the zone too easily. It can take awhile for me to recover and get back in to the groove. But Maceo has this akido-like ability to turn these phrases around and roll right through them in to the next phrase. 

Maceo Parker - Cold Sweat

  • Artist: Maceo Parker
  • Album: My First Name is Maceo
  • Track: Cold Sweat
  • Instrument: Alto Sax

Enjoy!

@SDartSax

Hank Crawford – Mr. Chips

As promised, here is a Hank Crawford transcription. An old adage is that if you want to emulate your musical idols, listen to their idols. Many of the modern blues/funk/R&B greats, like David Sanborn or Maceo Parker cite Hank Crawford as one of their early influences, and you can hear why on this track.

This is a pretty straightforward I-IV-V blues progression. Hank take about nine choruses, and I love the progression and how he builds the solo. My only criticism is that the pitch is a little off in spots (but so is mine, so, glass houses and all that).

The feel is solid 12/8 (eighth-note triplet subdivisions of each 4/4 beat), but I prefer to write it in 4/4. I find that many intermediate students struggle to read 12/8. It’s easier to read in 4/4, and if you listen and play along, you can feel the swing subdivision.

Hank Crawford - Mr. Chips

 

  • Artist: Hank Crawford
  • Album: Mr. Chips (1986)
  • Track: Mr. Chips
  • Instrument: Alto Sax

Enjoy!

@SDartSax

David “Fathead” Newman – Hard Times

I ran across this track while falling down a YouTube rabbit hole recently. I had heard it before, but not in a long while. I knew that it had to be my next project!

I’ve seen this track credited to both Fathead and Hank Crawford. I assumed that it must be Hank Crawford, but I was wrong. Hank plays Baritone on the track, but Fathead is playing Alto. I have a Hank Crawford box set with excellent liner notes, and confirmed it. My next transcription will be some Hank Crawford for sure!

This track is actually very difficult, both to transcribe and play. It’s relatively slow, which makes the subdivisions and the double-time sections even trickier. Fathead plays with the time quite a bit, stretching passages across beats and barlines – laying back at times, and then squeezing in as many notes as he can in a subdivision.

The melody itself is a master class is sound and phrasing. Fathead takes the first chorus, and then everyone else takes half choruses for their solos. Fathead returns with a blistering 8-bar solo, then the last 8 bars of the melody to finish it out.

David Fathead Newman - Hard Times

 

  • Artist: David “Fathead” Newman
  • Album: Fathead: Ray Charles Presents David Newman
  • Track: Hard Times
  • Instrument: Alto Sax

Enjoy!

@SDartSax

Maceo Parker – Basic Funk – 101

It’s been a long time since I posted any Maceo Parker solos. Obviously I don’t have much of a plan with this blog, I post whatever strikes my fancy any given week. I realized that I had a backlog of Maceo solos that I transcribed a long time ago but never posted. Honestly, the ones that I haven’t posted are too intimidating to record, like this one!

The title of this track is deceptive – Basic Funk! I guess it’s true, it’s all basic stuff, but it’s a LONG solo to play – almost nine minutes and nine pages with little more than a bar or two to rest here and there.

The tempo is slow, right in the pocket. There isn’t any one part of the solo that is particularly tough, but it’s full of very intricate syncopation that makes it hard to sight read, and it’s too long for me to memorize all of those nuances, even after listening to it a bunch.

There isn’t much of a melody or form to speak of. Maceo comes in with what feels like the melody, but quickly transitions to filling in around the background figures. You can’t really tell where the ‘solo’ starts. When the band is playing, Maceo fills in. When they give him space, he runs with it. There are a few breakdowns and key changes, but really it’s just a long blow for Maceo! Not that there’s anything wrong with that…

I apologize for the video quality on this one. For some reason I had terrible problems getting the audio and video to sync up. I think the framerate on the video was off just enough that the drift over the course of the nine-minute track caused things to get out of whack. I chopped up the audio to sync it back up, but the video is a lost cause.

Maceo Parker - Basic Funk 101

 

  • Artist: Maceo Parker
  • Album: School’s In
  • Track: Basic Funk – 101
  • Instrument: Alto Sax

Enjoy!

@SDartSax

Art Pepper – You’d Be So Nice To Come Home To

Funny story – I was walking around the mall recently (don’t get me started on who thought it was a good idea to put an outdoors mall in Seattle), and I heard this song coming over the PA system. I never really paid much attention to the music at the mall, but I certainly dug this tune.

It hit me that I haven’t posted any Art Pepper on this blog yet! I’m not sure why. He’s a killer player – kind of a cross between Paul Desmond and Sonny Stitt for me. I love his warm, dry tone, and the voice-leading in his lines is always so beautiful.

This is an old standard with some beautiful changes. I hardly ever hear anyone play it, so it feels fresh. It’s a moderate tempo, so most of the solo feels very relaxed and laid back, but then he breaks in to a double-time lick in the middle of the first chorus and you realize how fast the tempo is! It’s amazing how cleanly he plays it.

After the melody, he plays two solo choruses, then turns things over the piano and bass players for solos. He comes back in to trade 4’s with the drummer for a chorus and a half, and then plays an abbreviated melody with a tag to close it out.

Art Pepper - You'd Be So Nice To Come Home To

 

  • Artist: Art Pepper
  • Album: Art Pepper Meets the Rhythm Section (1957)
  • Track:  You’d Be So Nice To Come Home To
  • Instrument: Alto Sax

Enjoy!

@SDartSax

Review – Grace Kelly at Jazz Alley

As I mentioned before, Grace Kelly came through Seattle for two night at the Jazz Alley, which is the club that all of the big touring acts come through. I caught the show, and it was great!

I wasn’t too sure what to expect. Grace plays straight-ahead stuff, but also very contemporary stuff as well. 

First impressions – she’s an amazing singer! I didn’t really run across many videos of her singing on YouTube, so I didn’t realize how talented she is. And she probably sang 40% of the show. The rest of the time she played Alto, except for maybe two songs on Soprano.

She’s also a very talented writer and arranger. Her original music is very good – you can tell she has dedicated a lot of time and effort to her craft. From her stories about the songs, it’s also clear that she’s always writing. Ideas come to her at odd times, but she’s tuned in to those sources of inspiration, and she doesn’t let them slip away like too many of us do.

Her arrangements are very fresh too. She was playing with a quartet: Sax/voice, Piano/keys, electric bass, and acoustic/electric drums. The electronic components gave the quartet a very versatile sound, allowing them to go in many unexpected directions.

She also connects very well with her audience – sharing stories between songs, and dancing freely around the stage. She’s a very honest and genuine performer who seems to love what she does.

One nice touch was that she brought up one of her young students, an eight grader who studies with her over Skype. What a resource to have at that age! At that age I had just joined my first ‘stage band’ and was taking lessons from a clarinet player because our school didn’t have a dedicated sax teacher. I didn’t know anything about jazz or improvised music.

She had her student write a blues song, perform as a duet, solo with the band, and trade solos with her. She had him take nice long solos in front of a big crowd – quite a workout for kid his age, but he did great and the crowd loved it. I appreciated that she didn’t condescend to him or let him off easy with one chorus. She really made him work! As someone who came up as a child prodigy, you can see the effect her mentors had on her when she was younger. It’s great to see her giving back to the next generation.

Grace Kelly and Leo P – NYC Popup #31

Another Grace/Leo duet. It’s a short one this week. Leo plays the bass part. Grace accompanies him in the beginning, then drops out until her solo. It’s only four bars, and for some reason my fingers kept getting tangled up in the first phrase. She comes back in with the accompaniment, and they finish it off with an altissimo ‘freak out’ before the big last note.

Big thanks to Derek Brown of the BeatBoXSAX channel. He posted a great video tutorial on the ‘overtone gliss’ technique, which is what Leo uses a lot, including the end of this video.

I’ve got to work on it a lot more, but it helped me get the basic concept and tongue position worked out, which had me a bit stumped before.

I’m off to New York for a few days, maybe I’ll get lucky and catch Leo in the subway (although I think he’s too big for that now)! I should get back to Seattle just in time to catch Grace at the Jazz Alley. I’ve never seen her live, so I’m not sure what to expect. I’m guessing it will be a bit more reserved than this video is! I don’t know how the two of them play what they do while dancing in the streets of New York and jumping up and down. I have a hard enough time playing standing still! More power to them…

Grace Kelly + Leo P - Popup #31 (Grace)

Grace Kelly + Leo P - Popup #31 (Leo)

 

  • Artists: Grace Kelly and Leo P
  • Source video: https://www.youtube.com/watch?v=K294MP3xxsY
  • Instruments: Alto and Baritone Sax

Enjoy!

@SDartSax